“A Sign We Are” :A Poetical Theology of Passing in Hölderlinʼs “Rousseau” and Other Late Poems KU Leuven
The birth of modern aesthetics refers to a creative force in its own right that 11 would enable man to get a glimpse of das Ganze (the All) instead of representing a mechan-12 ical, normative set of rules to realize in one way or another the mimetic reduplication of 13 reality. This birth of modern aesthetics can hardly be separated from the emergence of a 14 new, no longer dogmatic conception of religion and – as a consequence – of theology. 15 ...