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Fragmentation Ghent University
Sortie des encombrants : fabrique du patrimoine de la bande dessinée de journal aux États-Unis Ghent University
In the 1970s, many libraries discard the physical copies of their newspapers after microfilming: the collector Bill Blackbeard assembled his archives by recuperating these undesirables, and opening a public institution dedicated to newspaper comics. This archive served as the basis for many reprints and new circulations, building a cultural memory for a particularly ephemeral medium. By turning to both the constitution and circulation of these ...
Sans Serif Comic Strip : le style typographique de Barnaby Ghent University
The graphic continuity between text and image in comics, where the letters are usually drawn by hand, are a well-known aspect of their fabric. American cartoonist Crockett Johnson’s Barnaby stands out for its marked use of a mechanic typeface. By studying the integration of Futura into a comic strip, this article addresses the question of typewritten text in comics both in stylistic and enunciative terms and in its functioning within an ...
Swiping Ghent University
Influence Ghent University
Iconography Ghent University
Imitation Ghent University
Les bandes détournées de Jochen Gerner et Ilan Manouach Ghent University
Occupant tout les deux une position liminale du champ de la bande dessinée, Jochen Gerner et Ilan Manouach se sont, chacun à leur manière, livrés à des expériences réflexives de destruction de l'image en bande dessinée par le détournement. Ainsi, avec ses projets tels que TNT en Amérique, Abstraction (1941-1968), ou Le Panorama du Feu, Jochen Gerner opère par la technique du recouvrement une relecture d'albums classiques et de petits formats ...