Dialetto e "regressione"

Ondertitel:Andrea Zanzotto e Pier Paolo Pasolini a confronto

This research work focuses on the poetic production in dialect of Andrea Zanzotto and Pier Paolo Pasolini from the 1940s to the 1970s. The first part of this research deals with the question of the language divided between dialect and an instance of regression, in it we propose the analysis of two collections: La meglio gioventù of Pasolini and La Beltà of Zanzotto. Both sillogi manifest an instance of regression understood as a return to a primordial linguistic perspective, the language of Zanzotto's children, and as a path to re-appropriate linguistic but also social realities, Pasolini's Casarsa dialect. The second part reflects on the notion of "corporeity". The bodies of young people, still uncorrupted in the Trilogy of Life (1971-1974), appear contaminated by neo-capitalist homologation. All that remains is to fall back into a "gloomy enthusiasm", La nuova gioventù (1975). Zanzotto, on the other hand, discovers with Filò the maternal dictation, the dialect of Soligo, and does so through Fellini's cinema. Here is a geological, telluric, almost visceral perspective on Zanzotti's pages. It is the heavy lagoon body that breaks into the verses of the long filò. The third part concerns the relationship between Pasolini, Zanzotto and the culture of their time and with the authors tradition. This chapter highlights the points of contact between the two authors but also the critical places that make the different poetic experiences peculiar. It also addresses the pedagogical necessity felt by the two authors as the foundation of their poetic discourse. In the last instance, a close comparison between the two poets is proposed with respect to the reciprocal interpretative and epistolary relationships. In the final appendix the poetry of the two authors is made to act in relation to the landscape. The village of Casarsa, for Pasolini, and Pieve di Soligo, for Zanzotto, represent that dialectal eden that is slowly disappearing. If Zanzotto reflects on the geographical dimension from a poetic and ecological perspective; Pasolini, through his fierce accusation to the neo-capitalist world, captures, in his last appearance, a universe, the peasant one, which is inexorably disappearing.

Jaar van publicatie:2020

Trefwoorden:Doctoral thesis

Toegankelijkheid:Closed